Equipment

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Cameras

 

 

 

Canon EOS C100 Mark II

Featuring Canon’s innovative Dual Pixel CMOS autofocus technology, the EOS C100 Mark II camera has been designed to improve the shooting experience with increased accuracy and control. Advanced image processing provides enhanced color resolution and virtually eliminates unwanted artifacts. Improved ergonomics and a larger, tiltable electronic viewfinder gives the EOS C100 Mark II a more comfortable handling experience. 

Carl Zeiss Compact Prime CP.2 Super Speed

The Zeiss Compact Prime CP.2 35mm/T1.5 Super Speed PL Mount with Imperial Markings is a fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light. Aside from great optics and mechanics, the lens offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity.
 

Canon EOS C100 Mark II

  • Super 35mm 8.3MP CMOS Sensor + EF Mount
  • 1920x1080p 59.94/50/29.97/25/23.98
  • Built-In Dual Pixel CMOS AF Hardware
  • AVCHD + MP4 Recording
  • Dual SDHC/SDXC Media Card Slots
  • HDMI Output with Timecode & Canon Log
  • ISO 320 to 102,400
  • Canon Log and Wide DR Gamma
  • Two XLR Audio Connectors
  • Built-In 2.4 GHz & 5 GHz WiFi Capability

 

 

Carl Zeiss Compact Prime CP.2 Super Speed 35mm/T1,5 EF

 

  • Distagon 35mm Cine Prime Super Speed
  • EF Mount
  • Body Markings in Feet
  • T1.5 with 14 High-Precision Iris Blades
  • Great In Low-Light / Night / Outdoor
  • 39° Angle of View
  • Full Frame Coverage of 24 x 36 Sensors
  • Interchangeable Mount System
  • 300° Manual Focus Rotation
 

Carl Zeiss Compact Prime CP.2 Super Speed 50mm/T1,5 EF

  • Planar 50mm Cine Prime Super Speed
  • EF Mount
  • Body Markings in Feet
  • T1.5 with 14 High-Precision Iris Blades
  • Great In Low-Light / Night / Outdoor
  • 28° Angle of View
  • Full Frame Coverage of 24 x 36 Sensors
  • Interchangeable Mount System
  • 300° Manual Focus Rotation
 

Carl Zeiss Compact Prime CP.2 Super Speed 85mm/T1,5 EF

  • Planar 85mm Cine Prime Super Speed
  • EF Mount
  • Body Markings in Feet
  • T1.5 with 14 High-Precision Iris Blades
  • Great In Low-Light / Night / Outdoor
  • 17° Angle of View
  • Full Frame Coverage of 24 x 36 Sensors
  • Interchangeable Mount System
  • 300° Manual Focus Rotation
 

BON BXM-183R3G

The 18.5” 12-Bit Monitor with 3G SDI Input and HD Recording from BON is a high-end broadcast monitor with a 12-bit video processor and multiple advanced features like reference image overlay, HDMI-to-SDI converter, and Auto Recording (GPIO, Time Code).

BON RM-072S

The RM-072S 7" 3G-SDI & HDMI Recording Field Monitor from Bon is capable of recording 1280 x 720 videos in MOV format with H.264 codec. Suitable for camera operators and editors, this field monitor provides a quick preview of the recorded footage. It offers a native resolution of 1024 x 600 with 400 cd/m² brightness and contrast ratio of 900:1. With its 3G/HD/SD-SDI and HDMI inputs, along with an audio line in, this monitor can accept and record various formats. The original audio embedded in the video cable can be replaced with another audio source (via the line input).
 

Broadcast Monitors BON BXM-183R3G

  • 12-bit signal processor
  • Thumbnail file list
  • Focus assistance
  • False color 
  • Waveform
  • Vectorscope display 
  • Closed caption (CEA-608/708) 
  • Gen-lock (video synchronization) 
  • Time Code 
  • 8-16 Channel audio level meter 
  • Exposure range check 
  • UMD/IMD Mode (supports TSL 4.0) 
  • AFD & V-CHIP (SDI only) 
  • Various markers 
  • H/V delay 
  • Pixel-to-Pixel view 
  • Zero/Under/Over Scan 
  • Fast motion mode 
  • Freeze frame 
  • Blending, PaP, PiP 
  • R/G/B/W internal patterns
 

Recording Field Monitor BON  RM-072S

 

  • Record/playback video in 1280 x 720 resolution (30p/25p) in MOV format and H.264 codec
  • Offers quick preview of the recorded footage
  • Voice replacement function
  • Thumbnail file list
  • Focus assistance
  • False Color
  • Various DSLR scales
  • Audio level meter with 8 to 16 channels
  • Various frame-line markers
  • Pixel-to-pixel view
  • Various play modes (Play / Loop Play / FF / Rewind / Frame / Slow)

Affiliate program

Film Commission