Equipment

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Cameras

 

 

 

Canon EOS C100 Mark II

Featuring Canon’s innovative Dual Pixel CMOS autofocus technology, the EOS C100 Mark II camera has been designed to improve the shooting experience with increased accuracy and control. Advanced image processing provides enhanced color resolution and virtually eliminates unwanted artifacts. Improved ergonomics and a larger, tiltable electronic viewfinder gives the EOS C100 Mark II a more comfortable handling experience. 

Carl Zeiss Compact Prime CP.2 Super Speed

The Zeiss Compact Prime CP.2 35mm/T1.5 Super Speed PL Mount with Imperial Markings is a fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light. Aside from great optics and mechanics, the lens offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity.
 

Canon EOS C100 Mark II

  • Super 35mm 8.3MP CMOS Sensor + EF Mount
  • 1920x1080p 59.94/50/29.97/25/23.98
  • Built-In Dual Pixel CMOS AF Hardware
  • AVCHD + MP4 Recording
  • Dual SDHC/SDXC Media Card Slots
  • HDMI Output with Timecode & Canon Log
  • ISO 320 to 102,400
  • Canon Log and Wide DR Gamma
  • Two XLR Audio Connectors
  • Built-In 2.4 GHz & 5 GHz WiFi Capability

 

 

Carl Zeiss Compact Prime CP.2 Super Speed 35mm/T1,5 EF

 

  • Distagon 35mm Cine Prime Super Speed
  • EF Mount
  • Body Markings in Feet
  • T1.5 with 14 High-Precision Iris Blades
  • Great In Low-Light / Night / Outdoor
  • 39° Angle of View
  • Full Frame Coverage of 24 x 36 Sensors
  • Interchangeable Mount System
  • 300° Manual Focus Rotation
 

Carl Zeiss Compact Prime CP.2 Super Speed 50mm/T1,5 EF

  • Planar 50mm Cine Prime Super Speed
  • EF Mount
  • Body Markings in Feet
  • T1.5 with 14 High-Precision Iris Blades
  • Great In Low-Light / Night / Outdoor
  • 28° Angle of View
  • Full Frame Coverage of 24 x 36 Sensors
  • Interchangeable Mount System
  • 300° Manual Focus Rotation
 

Carl Zeiss Compact Prime CP.2 Super Speed 85mm/T1,5 EF

  • Planar 85mm Cine Prime Super Speed
  • EF Mount
  • Body Markings in Feet
  • T1.5 with 14 High-Precision Iris Blades
  • Great In Low-Light / Night / Outdoor
  • 17° Angle of View
  • Full Frame Coverage of 24 x 36 Sensors
  • Interchangeable Mount System
  • 300° Manual Focus Rotation
 

BON BXM-183R3G

The 18.5” 12-Bit Monitor with 3G SDI Input and HD Recording from BON is a high-end broadcast monitor with a 12-bit video processor and multiple advanced features like reference image overlay, HDMI-to-SDI converter, and Auto Recording (GPIO, Time Code).

BON RM-072S

The RM-072S 7" 3G-SDI & HDMI Recording Field Monitor from Bon is capable of recording 1280 x 720 videos in MOV format with H.264 codec. Suitable for camera operators and editors, this field monitor provides a quick preview of the recorded footage. It offers a native resolution of 1024 x 600 with 400 cd/m² brightness and contrast ratio of 900:1. With its 3G/HD/SD-SDI and HDMI inputs, along with an audio line in, this monitor can accept and record various formats. The original audio embedded in the video cable can be replaced with another audio source (via the line input).
 

Broadcast Monitors BON BXM-183R3G

  • 12-bit signal processor
  • Thumbnail file list
  • Focus assistance
  • False color 
  • Waveform
  • Vectorscope display 
  • Closed caption (CEA-608/708) 
  • Gen-lock (video synchronization) 
  • Time Code 
  • 8-16 Channel audio level meter 
  • Exposure range check 
  • UMD/IMD Mode (supports TSL 4.0) 
  • AFD & V-CHIP (SDI only) 
  • Various markers 
  • H/V delay 
  • Pixel-to-Pixel view 
  • Zero/Under/Over Scan 
  • Fast motion mode 
  • Freeze frame 
  • Blending, PaP, PiP 
  • R/G/B/W internal patterns
 

Recording Field Monitor BON  RM-072S

 

  • Record/playback video in 1280 x 720 resolution (30p/25p) in MOV format and H.264 codec
  • Offers quick preview of the recorded footage
  • Voice replacement function
  • Thumbnail file list
  • Focus assistance
  • False Color
  • Various DSLR scales
  • Audio level meter with 8 to 16 channels
  • Various frame-line markers
  • Pixel-to-pixel view
  • Various play modes (Play / Loop Play / FF / Rewind / Frame / Slow)
 

Atomos Shogun Inferno

Set your set ablaze with Shogun Inferno, the ultimate 7" HDR monitor/recorder. Record ProRes RAW, ProRes, DNxHR or CDNG.

Atomos Shogun Inferno

10-bit ProRes/DNxHR up to 4Kp60
 

Atomos Shogun Inferno

Raw to:

ProRes RAW 

ProRes 

CinemaDNG 

(CDNG up to 30p only)

 

Avid DNxHD

Sony^^

FS700, FS-5, FS-7, FS-7MkII

4K DCI; 24/25/30/50/60p

4K UHD; not supported in camera

2K; 24/25/30/50/60/100/120/200/240p

1080; not supported in camera

 

Canon 

C300MKII/C500 CDNG

4K DCI; 24/25/30p 

4K UHD; 24/25/30p 

2K; not supported in camera

1080; not supported in camera

 

Panasonic 

VaricamLT, EVA1

5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)

4K DCI; 24/25/30/50/60p

4K UHD; 24/25/30/50/60p

2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera

 

PHANTOM 4 PRO

AIRCRAFT

PHANTOM 4 PRO

AIRCRAFT
 

AIRCRAFT PHANTOM 4 PRO

 

Sensor 1’’ CMOS

Effective pixels: 20M

Lens FOV 84° 8.8 mm/24 mm (35 mm format equivalent) f/2.8 - f/11 auto focus at 1 m - ∞

ISO Range Video:

100 - 3200 (Auto)

100 - 6400 (Manual)

Photo:

100 - 3200 (Auto)

100- 12800 (Manual)

Mechanical Shutter Speed 8 - 1/2000 s

Electronic Shutter Speed 8 - 1/8000 s

Image Size 3:2 Aspect Ratio: 5472 × 3648

4:3 Aspect Ratio: 4864 × 3648

16:9 Aspect Ratio: 5472 × 3078

PIV Image Size 4096×2160(4096×2160 24/25/30/48/50p)

3840×2160(3840×2160 24/25/30/48/50/60p)

2720×1530(2720×1530 24/25/30/48/50/60p)

1920×1080(1920×1080 24/25/30/48/50/60/120p)

1280×720(1280×720 24/25/30/48/50/60/120p)

Still Photography Modes Single Shot

Burst Shooting: 3/5/7/10/14 frames

Auto Exposure Bracketing (AEB): 3/5 bracketed frames at 0.7 EV Bias

Interval: 2/3/5/7/10/15/20/30/60 s

Video Recording Modes H.265

C4K:4096×2160 24/25/30p @100Mbps

4K:3840×2160 24/25/30p @100Mbps

2.7K:2720×1530 24/25/30p @65Mbps

2.7K:2720×1530 48/50/60p @80Mbps

FHD:1920×1080 24/25/30p @50Mbps

FHD:1920×1080 48/50/60p @65Mbps

FHD:1920×1080 120p @100Mbps

HD:1280×720 24/25/30p @25Mbps

HD:1280×720 48/50/60p @35Mbps

HD:1280×720 120p @60Mbps

 

H.264

C4K:4096×2160 24/25/30/48/50/60p @100Mbps

4K:3840×2160 24/25/30/48/50/60p @100Mbps

2.7K:2720×1530 24/25/30p @80Mbps

2.7K:2720×1530 48/50/60p @100Mbps

FHD:1920×1080 24/25/30p @60Mbps

FHD:1920×1080 48/50/60 @80Mbps

FHD:1920×1080 120p @100Mbps

HD:1280×720 24/25/30p @30Mbps

HD:1280×720 48/50/60p @45Mbps

HD:1280×720 120p @80Mbps

Max Video Bitrate 100 Mbps

Supported File Systems FAT32 (≤32 GB); exFAT (>32 GB)

Photo JPEG, DNG (RAW), JPEG + DNG

Video MP4/MOV (AVC/H.264; HEVC/H.265)

Supported SD Cards Micro SD

Max Capacity: 128GB

Write speed ≥15MB/s, Class 10 or UHS-1 rating required

Operating Temperature Range 32° to 104°F (0° to 40°C)

 

  • R/G/B/W internal patterns

Files and Documents

Affiliate program

Film Commission